NICHOLAS MILES KAHN & RICHARD SELESNICK
Nicholas Miles Kahn, b. 1964, New York
Richard Selesnick, b. 1964, London
EDUCATION
1986 BFAs, Washington University, St. Louis
SOLO EXHIBITIONS
2015 Truppe Fledermaus, Suny Ulster Gallery, Marbletown NY
Truppe Fledermaus, Warner Gallery, St. Andrews School, Middletown, Delaware.
Truppe Fledermaus 3, Schoolhouse Gallery, Provincetown MA.
Truppe Fledermaus, Dreams of a Drowning World, Robischon Gallery, Denver Co.
2014Truppe Fledermaus, Jackson Fine Art, Atlanta
Truppe Fledermaus, Hammer Gallery, Chicago
Truppe Fledermaus, Yancey Richardson Gallery, New York
Truppe Fledermaus, Carroll & Sons, Boston
2013Mars: Adrift on the Hourglass Sea, Boise Art Museum, Boise, Id
Truppe Fledermaus, Cleveland State University, Cleveland
Truppe Fledermaus 2, Schoolhouse Gallery, Provincetown, Ma.
Truppe Fledermaus, Gallery 51, North Adams, Ma
Mars: Adrift on the Hourglass Sea, Galeria Mü, Bogata, Columbia
Truppe Fledermaus, Kopeikin Gallery, Los Angeles
Truppe Fledermaus, Robischon Gallery, Denver
2012Truppe Fledermaus, Schoolhouse Gallery, Provincetown, Ma.
2011City of Salt, Galeria Mü, Bogata, Columbia
Apollo Procephies & Mars: Adrift on the Hourglass Sea, Brenau University
Mars: Adrift on the Hourglass Sea, Carrie Haddad Photo, Hudson, NY
Mars: Adrift on the Hourglass Sea, Kopeikin Gallery, Los Angeles
Mars: Adrift on the Hourglass Sea, Yancey Richardson Gallery, New York
Mars: Adrift on the Hourglass Sea, Carl Hammer Gallery, Chicago
Apollo Procephies & Mars: Adrift on the Hourglass Sea, Museum of
Contemporary Photography, Chicago
2010 Mars: Adrift on the Hourglass Sea, Carroll & Sons Gallery, Boston
Kahn and Selesnick Cress Gallery, University of Tennessee, Chattanooga
Eisbergfreistadt & Other Fictions Torch Gallery, Amsterdam, Netherlands
Eisbergfreistadt Overbeck-Gesellschaft Museum, Lübeck, Germany
2009 Eisbergfreistadt World’s End Contemporary, London, UK
Eisbergfreistadt DNA Gallery, Provincetown, Ma.
Eisbergfreistadt, Robishcon Gallery, Denver, CO
Eisbergfreistadt, Kopeikin Gallery, Los Angeles, CA
Eisbergfreistadt & Apollo Prophecies, Kohler Art Center, Sheboygan, WI
Eisbergfreistadt & Apollo Prophecies, Untitled [ArtSpace], Oklahoma City, OK
2008 Eisbergfreistadt, Carl Hammer Gallery, Chicago
The Apollo Prophecies, Hiestand Gallery of Art, Miami University, Ohio
Eisbergfreistadt, Yancey Richardson Gallery, New York
Eisbergfreistadt, Lisa Sette Gallery, Scottsdale
Kahn & Selesnick: A Ten Year Retrospective, Aeroplastics Gallery, Brussels
2007 Eisbergfreistadt, Pepper Gallery, Boston
Eisbergfreistadt, Irvine Contemporary, Washington DC
2006 The Art of Kahn and Selesnick, Dowd Fine Arts Center, SUNY Cortland
Kahn/Selesnick: A Ten Year Retrospective, Robischon Gallery, Denver
2005 The Apollo Prophecies, Carl Hammer Gallery, Chicago
The Apollo Prophecies, Irvine Contemporary, Washington, D.C.
The Apollo Prophecies, Lisa Sette Gallery, Scottsdale
The Apollo Prophecies, Paul Kopeikin Gallery, Los Angeles
Nomadischespuppetheater, Berta Walker Gallery, Provincetown
2004 The Apollo Prophecies, Yancey Richardson Gallery, New York
The Apollo Prophecies, DNA Gallery Provincetown
The Apollo Prophecies, Pepper Gallery, Boston
2003 City of Salt, Focus Gallery, London
City of Salt, Yancey Richardson Gallery, New York
2002 Scotlandfuturebog, Yancey Richardson Gallery, New York
City of Salt, Paul Kopeikin Gallery, Los Angeles
City of Salt, Carl Hammer Gallery, Chicago
City of Salt, Pepper Gallery Boston
City of Salt, Lisa Sette Gallery, Scottsdale
2001 City of Salt, DNA Gallery, Provincetown
Scotlandfuturebog, Carrie Haddad Gallery, Hudson, New York
2000 The REC, Past-Future, Palo Alto Arts Center, California
Schottensumpfkunftig, DNA Gallery, Provincetown
Past and Future, Lisa Sette Gallery, Scottsdale
Transmissions from the Schottensumpfkumpftig, David Beitzel Gallery, New York
1999 Schottensumpfkunftig, Pepper Gallery, Boston
The Circular River, Paul Kopeikin Gallery, Los Angeles
1998 The Circular River, Monique Knowlton, New York
The Circular River, Eli Marsh Gallery, Amherst College
Bachelier Cardonsky Gallery, Kent, Connecticut
Carrie Haddad Gallery, Hudson, New York
The Circular River, Pepper Gallery Boston
1997 The Pavilion of the Greenman, Monique Knowlton, New York
The Burren Expedition, East End Gallery, Provincetown
The Journals of Peter Hesselbach, Monique Knowlton, New York
Tent of the Mesmer, Gallery Camino Real, Boca Raton
The Photographic Journals of Peter Hesselbach, Pepper Gallery, Boston
1996 Tent of the Mesmer, Bachelier Cardonsky Gallery, Kent, Connecticut
The Golden Age of Devonshire Semaphore: Royal Excavation Corps Signal Flag
Manouevres 1934-36, East End Gallery, Provincetown
The Roodloft of the Drunken Beekeeper, Monique Knowlton, New York
1995 Zelt der Biscuit Mench, East End Gallery, Provincetown
Chapel Dedicated to the Human Head, Hudson Walker Gallery, Provincetown. Collabrative Paintings, Gallery Camino Real, Boca Raton
1994 The Eskimo Paintings, Bachelier Cardonsky Gallery, Kent, Connecticut
The Biscuit Triptychs, East End Gallery, Provincetown
1993 Bog Pastries and Bread Heads from the Archives of the Royal Excavation Corps,
Forum Gallery, New York
Painted Heads, East End Gallery, Provincetown
The Delusional Object: Banners and Artefacts from the Royal Excavation Corps, Diana Burke, New York
1992 Flagman Artefacts, East End Gallery, Provincetown
1991 East End Gallery, Provincetown
Owen Patrick Gallery, Philadelphia
Klein Art Gallery, Woodstock
GROUP EXHIBITIONS
2014 Alles Maskerade! MEWO Kunsthalle, Memmingen, Germany
Breaking Ground William & Mary College, Williamsburg, Virginia
Icarus: an Exploration of the Human Urge to Fly UNC Charlotte
Uncanny Spaces Usdan Gallery, Bennington College
Dawn to Dusk, Queensland Center for Photography, Brisbane, Australia
Vanishing Ice, Whatcom Museum, Bellingham, Wa
Vanishing Ice, El Paso Museum of Art, El Paso, Tx
Vanishing Ice, Glenbow Museum, Calgary, Canada
2013 Extraordinary, Nooderlicht Photo Festival, The Netherlands
Animal, Vegetable, Mineral: An Artist’s Guide to the World, Florence Griswold
Museum, Old Lyme, Ct
First Contact, Gallery Project, Ann Arbor, Mi.
Lies that Tell the Truth: Magic Realism in Contemporary Art, Indiana State
University, Terra Haute, In
Nature’s Toolbox: Biodiversity, Art, and Invention, The Leonardo, Salt Lake City
Nature’s Toolbox: Biodiversity, Art, and Invention, Ulrich Museum, Wichita, Ka
2012 Covet: Art + Objects, Ferrin Gallery, Pittsfield, Ma
One of a Kind: Unique Artist’s Books, Dalhousie Gallery, Halifax, Canada
A Dream of Eternity, Villa Empain, Boghossian Foundation, Brussels, Belgium
Terra Cognita, Museum Belvedere, Heerenveen-Oranjewoud, Netherlands
Nature’s Toolbox: Biodiversity, Art, and Invention, The Field Museum, Chicago
New Yorker Fiction: Real Photographs, Ullens Center for Contemporary Art,
Beijing, China
2011 One of a Kind: Unique Artist’s Books, Pierre Menard Gallery, Boston
New Yorker Fiction: Real Photographs, Stephen Kasher Gallery, New York
Worlds, Art Center College of Design, Pasadena, Ca
Beautiful Vagabonds, Yancey Richardson Gallery, New York
Saturnalia, Irvine Contemporary, Washington DC
2010 The Nature of Cities, United Nations Pavillion, Expo 2010, Shanghai, China
2009 2009 Godowsky Award Winners, Photographic Resource Center, Boston, Ma
Miroirs d’Orients, Palais des Beaux-Arts de Lille, Lille, France
Art on the Moon, Wallraf-Richartz Museum, Cologne, Germany
2008 Such Great Heights, Carrie Haddad Photographs, Hudson, NY
Melting Ice, Hot Topic, Field Museum, Chicago, IL,
Melting Ice, Hot Topic, Ministry of Culture, Monaco,
Eco-Sophia, Sheppard Fine Arts Gallery, University of Nevada, Reno Nevada,
2007 Melting Ice, Hot Topic, Nobel Peace Center, Oslo, Norway
Melting Ice, Hot Topic, Bozar Museum, Brussels, Belgium
Art from NASA’s Collection The Smithsonian Institution, Washington DC
Rare Essence, Aeroplastics Gallery, Brussels, Belgium
2006 The Twilight Zone, Carrie Haddad Gallery, Hudson, New York
Fellows, Hudson Walker Gallery, Fine Arts Work Center, Provincetown, Ma
2005 Dreamscapes, Kohler Arts Center, Sheboygan, Wisconsin
The City: Contemporary Views of the Built Environment, Lehman College Art Gallery, New York
Regional Triennial of Photographic Arts, Center for Photography at Woodstock
2004 Dreamweavers, Yancey Richardson Gallery, New York
The City: Cotemporary Views of the Built Environment, Lehman College of Art
2003 Re-presenting Representation VI, Arnot Museum of Art, New York
First Photographs: Henry Fox Talbot and the Birth of Photography, Museum of Photographic Arts, San Diego
2001 Rumors of War: A Contemporary Exhibition Inspired by the Art of Jacob Lawrence, Triple Candie, New York.
Digital: Printmaking Now, Brooklyn Museum of Art, New York Works by Fellows of the Fine Arts Work Center, Cape Cod Museum of Art
Photosynthesis: Recent Developments in Contemporary Photography, Delaware Center for the Contemporary Arts
Of Dreams and Dreamers: Art as a Vehicle of Escape, Carl Hammer Gallery, Chicago
Photo-Synthesis: Recent Developments in Contemporary Photography, Gallery Camino Real, Boca Raton
2001 False Witness: Joan Fontcuberta, Sputnik, and Kahn/Selesnick, David Winton
Bell Gallery, Brown University, Providence
2000 American Art Today: Fantasies & Curiousities, The Art Museum, Florida
International University, Miami
1999 Referencing the Past: Six Contemporary Artists: Kahn/Selesnick, John O’Reilly,
George Condo, David McGee, and Laurie, Hogan, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts
Rattling the Frame, 1974-1999, Camera Works, San Francisco
Dramatis Personae: A Look at Role-playing and Narrative in Contemporary Photography, Photographic Resource Center, Boston University Faces of Time: 75 Years of Time Magazine Cover Portraits, National Portrait
Gallery, Smithsonian Institution, Washington, DC.
Expanded Visions: The Panoramic Photograph, Addison Gallery of American Art, Andover
Self-amused: The Contemporary Artist as Observer and Observed, Brush Art Gallery, Lowell, Ma
10 Artists/10 Visions, De Cordova Museum and Sculpture Park, Lincoln, Ma
Provincetown in Hudson, Carrie Haddad Gallery, New York
1995 Kopeikin Gallery, Los Angeles
Inaugural Group Show, Monique Knowlton, New York
1994-95 Visual Arts Fellows from the Fine Arts Work Center, Drerup Gallery, Plymouth State College
BIBLIOGRAPHY
2015 Lewis Lapham “Them” Lapham’s Quarterly Winter issue
2014 Adrienne Parks “Snozzberries for the Yellow King: Why True Detective is a
Religious Text” The Mockingbird, Summer Issue
Goings on about Town: Art The New Yorker, July
Vicki Goldberg “Art in Review” New York Times, June 20
Cate McQuaid “An Exhibit gone Batty” Boston Globe, Jan 15
Cover image Chronogram
Portfolio and cover, Dawn to Dusk QCP Exhibition Catalogue
2013 Martha Schwendener, “The Organization of Art” New York Times, August 9
Portfolio & Text, Picnic Magazine, Issue 53
Portfolio & Text, 1814 Magazine, Issue 4
Harrison Berry, “Mars Revisited” Boise Weekly, June 12
Susan Dunne “Raw Power of Nature” Hartford Courant, June 27
Shearwater, “Fellow Travelers” Sub Pop Records, Album Cover
2012 Portfolio & Cover, Ecotone, Volume 8, Issue 1, Fall 2012
Matt Bua & Maximillian Goldfarb, “Architectural Inventions: Visionary Drawings”
Laurence King Publishing, Hardcover
Emily Epstein, “Life on Mars” Daily Mail Online, Aug 15
Hallie Sekoff, “Stunning Sci-Fi Art” Huffington Post, Aug 16
Peter McCollough, “Mars-Inspired Art” Wired Magazine Online August 15
Sara Nelson, “Mars: Adrift on the Hourglass Sea” Huffington Post UK, Aug 8
Ann Landi, “Out of this World” ARTnews, June 14
Christopher Bentley, “Creations of Biodiversity” New Scientist, June 16
Portfolio & Interview BLINK Magazine, Issue 10
Shearwater, “Animal Joy”, Sub Pop Records, album cover
2011 The Moth & The Flame, album cover
Narayana Sewnandan “Meeting with Kahn & Selesnick” Blend Magazine, August
Kisa Lala, “Mythographers” Huffington Post, Feb 14
Holland Cotter “Beautiful Vagabonds” New York Times, Aug 11
Reproductions, Philosophie Magazine, July
Robert Hirsch, “Exploring Color Photography” Focal Press, paperback book
Nick Flynn, “The Captain Asks for a Show of Hands” Greywolf Press, cover
2010 Sarah Falkner, “Alien Scenic Views,” Reality Sandwich, Oct
Mark Feeney, “Exploring Brave New Worlds,” The Boston Globe, Oct 1
Jean Hess, “Kahn & Selesnick”, Art Papers July/August
Maria Petersen “Eisbergfreistadt – Hintergründe zur Ausstellung” Lübeckische Blaätter April
Michael Berger “When an Iceberg threatened Lübeck” Lübecker Nachrichten,
April 10
Jennifer Calkins, “Kahn & Selesnick”, Eikon Magazine, Cover story, Issue 69
Shearwater, “The Golden Archipelago”, Matador Records, album cover
“Findings”, Harper’s Magazine January
Greg Cook, “Photography after Facebook at the PRC”, Boston Phoenix, Jan 15
2009 Mark Feeney, “Colorful, Alternate Realities”, Boston Globe, Dec 5
“Exhibition of the Month” GQ, October issue
James Dean, Bert Ulrich, Tom couch, Michael Collins “NASA/ART: 50 Years of
Exploration”, Abrams, hardcover book
Leah Ollman, “Kahn & Selesnick at Kopeikin,” The Los Angeles Times, July 31
“Der Mond” Hatje Cantz, paperback book
John Brandenburg, “Pano-vision,” The Oklahoman, Feb 22
Panoramic foldout, “The Space Age,” Outlook Magazine, China,
Jonathan Lethem, “Lostronaut,” The New Yorker, Nov 17
2008 Shearwater, “Rook,” Matador Records, album cover
Portfolio, “Horizons”, Ivory Press, hardcover book
Alan Artner, “Banknote Birds Recall Financial Panics of the Past”, The Chicago Tribune, Nov 7
Portfolio, Vision Magazine, China, Nov
Portfolio, Focus Magazine, The Netherlands, Feb
2007 Sarah Coleman, career review Photo District News, Feb 3
“Findings,” Harper’s Magazine, September
Jan DesLoover “Kahn & Selesnick” Fotomuseum Antwerp Magazine, fall
“Art in Action: Nature, Creativity & Our Creative Future,” Natural World Museum, hardcover book
Robert Hirsh, “Light and Lens: Photography in the Digital Age,” Focal Press, paperback book
Mark Freely, “Eisbergfreistadt,” The Boston Globe, May 13
Jessica Dawson, “Reflecting on a Cultural Divide,” The Washington Post, Nov 19
Shearwater, “Rook,” Matador Records, album cover
2006 book review “Pick of the Week: Ye Olde Astronaut,” Time Out NY, Sept
2005 “C Magazine” Ivory Press, hardcover book
Portfolio, Photography Quarterly, fall issue
Portfolio, Sides Magazine, Sept
Jessica Dawson “Reflecting on a Cultural Divide,” The Washington Post, Oct. 6
Review, Los Angeles Times, Jan.
“Findings,” Harper’s Magazine, July
2004 Caroline Bagenal, “The Apollo Prophecies,” Art New England, Oct.
Cate McQuaid, “A Lunar Extravaganza,” The Boston Globe, p. C16, May 28
David Haycock, “The Extraordinary Findings of Kahn/Selesnick and the Royal Excavation Corps,” Wraparound, pp 26-35, Spring
2003 “Next stop Shangri La,” Men’s Fashion of the Times, The New York Times, pgs
122-133, sept 21
Sarah Douglas, “Kahn/Selesnick at Yancey Richardson” The Art Newspaper, June 13 p.5
2002 Portfolio, Provincetown Arts Magazine
Cate McQuaid, “Self Portraits of the Artist as a Man facing Mortality," The Boston Globe, April 19
Vince Alletti, “More, More, More: the best photography books of 2002” Village Voice Feb. 3
Leah Ollman, “Power of Illusion and Desire” The Los Angeles Times Oct. 19
The Stamp Project, Cabinet Magazine pgs 63-65. Fall 2002 issue.
Colour reproductions, “Photography Past Forward: Aperture at 50” hardcover book, introduction by R.H.Cravens. Back cover, page 172. Aperture Press
Miles Unger, “Head Games”, Boston Magazine, April
2001 Rich McKown, “Small Works from the Fine Arts Work Center at the Cape,
Museum of Fine Arts,” Art New England, Dec.
Cate McQuaid, “Putting Provincetown in a Poignant New Light,” The Boston Globe, Aug. 4
William Jaeger, “Reassembled Visions,” Albany Times Union p.12, Jan. 28
Linda L. Fenoff, “Photographer’s Lenses Not Bogged Down by Reality” The Independent, p.24, Jan. 26
Bill Van Siclen, “At the Bell Gallery, Reality Keeps Slipping Away,” The Providence Journal p. 28, Feb 15
2000 “Lost Horizons: An Imaginary Photograph Assignment by Collaborative Artists
Kahn and Selesnick for the Men’s Fashion of the Times,” The New York Times Magazine, pp.106-116, Sept. 24
“Readings,” Harper’s Magazine, p.38, April
Richard Nilsen, “A Visionary Beauty,” The Arizona Republic, March 23
Roberta Smith, “Kahn/Selesnick at David Beitzel Gallery”, The New York Times, March 10
Miles Unger, “Tales of Intrigue for a Museum of Unnatural History,” The New York Times, pp.35, 38, Feb. 6
2000 Eileen Kennedy, “Art in Review: Kahn/Selesnick,” Arts Media, p.11, Jan
Kate McQuaid, “Funny Phantasm, Emotional Edges & Realms of Beauty,” The Boston Globe, Dec. 30
1999 Leah Ollman, “A Provocative Trek into Pseudo-History,” The Los Angeles Times,
p. F28, Nov. 12
1998 Daniel Pinchbeck, “Boy’s Own Adventure Through Siberia,” The Art Newspaper,
p.72, November
Vince Aletti, “Choices: Art,” Village Voice, p. 72, December 1
Ken Johnson, “Kahn and Selesnick at Monique Knowlton,” The New York Times, p.32, November 27
Christa Worthington, “Mining the Relics of Journeys Past,” New York Times, p. 45, November 22
Fredrick S. Voss, “Faces of Time: 75 years of Time Magazine Cover Portraits,” Little Brown, pp.126-7
Matt Unger, “Kahn and Selesnick at Pepper,” Art News, pg.163, July
Grace Consoli, “Nicholas Kahn and Richard Selesnick: Panoramic Photographs from the Siberian Expeditions of 1944-46,” Arts Media, pp. 18-19, May
Kate McQuaid, “Duo Makes Art by Faking History,” The Boston Globe, pp. C1, C4. May 9
Lucy R. Lippard, “Moments of Grace: Spirit in the American Landscape,” Aperture, pp. 61, 66-7, winter issue
1997 Grady Turner, “Kahn/Selesnick at Monique Knowlton,” Art in America, p.130,
November
Kate McQuaid, “Kahn and Selesnick at the East End Gallery,” The Boston Globe, August 14
Vince Aletti, “Choices: Art,” Village Voice, p.12, April 15
1996 Joanne Silver, “Visions Exhibit Draws a Perfect 10,” The Boston Herald, pp.14-
15, June 20
“Stranger in a Strange Land: a Collaborative Work by Nicholas Kahn and Richard Selesnick,” Arts Media, pp. 9-11, November
Souren Melikian, “In Another Orbit,” International Herald Tribune, October 26
“Findings,” Harper’s Magazine, June
Roberta Smith, “Kahn and Selesnick at Monique Knowlton,” The New York Times, p.55, May 17
1995 Cover, Ploughshares, winter issue
Vivian Raynor, “In Kent Differing Image and Books as Endangered Species,” The New York Times, p. 20, May 14
1994 Cover and inner gatefold,Time Magazine (Man of the Year Issue, Pope John
Paul II), pp.48-50, Dec.26
Nancy Stapen, “The Bold Meets the Soulful on Newbury St,” The Boston Globe, p. 57, Sept. 29
Ann Wilson-Lloyd, “Selesnick and Kahn Collaborate a Clever Conceit,” Cape Cod Arts & Antiques, pp. 18-21, August
1993 K.C. Myers, “Trust: the Collaboration of Nicholas Kahn and Richard Selesnick,”
Provincetown Arts, pgs. 91-93, Summer
Robert Taylor, “Outer Cape Art: Fresh Daily Catch,” The Boston Globe, p. 27, July 24
MONOGRAPHS
2013 Mars Revisited Boise Art Museum
2006 The Apollo Prophecies, Aperture Press
2005 City of Salt, Aperture Press
2002 Scotlandfuturebog, Aperture Press
DOCUMENTARIES
2006 UC Boulder Dept of Fine Arts for Public Access TV
2005 “Apollo Prophecies,” Voom! HDTV
2003 Boston Arts WGBH TV and Art Close Up PBS TV
LECTURES
University of Akron
Amherst College
ACP Keynote address, SCAD atlanta
Aperture Foundation
University of the Arts, Philadelphia
Bard College
Brenau University
Brown University
Buffalo State College
College of Saint Rose, Albany
University of Colorado, Boulder
The Center for Book Arts, NYC
Columbia College, Chicago
East Carolina State University, Greenville
Fogg Art Museum, Harvard University
Florence Griswold Museum
Hammer Museum, Los Angeles
Indiana State University, Terra Haute
Miami University, Ohio
Millbrook School
Montclair State University
University of Nevada, Reno
The New School, NYC
New York University
University of North Carolina, Charlotte
Ohio University, Athens
Philips Andover Academy
Photographic Resource Center, Boston University
Princeton University
Queensland Festival of Photography, Brisbane
Rochester Institute of Technology
Royal Melbourne Institute of Technology
San Francisco Art Institute
Savannah College of Art and Design
Southern Utah University
SPE keynote address, Baltimore Convention Center
SUNY Albany
SUNY Cortland
SUNY New Paltz
SUNY Plattsburgh
University of Tennessee, Chattanooga
School of Visual Arts
Untitled Art Space, Oklahoma City
University of Washington, Seattle
Washington University in St. Louis
Williams College
GRANTS & AWARDS
2015 Pollack Krasner Foundation Grant, New York, NY
2009 Leopold Godowsky Award, Photographic Resource Center, Boston, Ma.
2008 AICA Best Exhibition Award, Boston, Ma
2007 Green Leaf Award, Nobel Peace Center, Oslo, Norway
2006 NASA commission
2003 Best Photography Book of 2002 for “Scotlandfuturebog,” New York Book Show
2002 Artists in Residence, Princeton Atelier, Princeton University
2001 Djerassi Foundation Residency, Woodside, California
2000 Artists in Residence, Addison Gallery of American Art, Andover, Massachusetts
1995 Provincetown Arts Council Grant
1994 Fine Arts Work Center Fellowship, Provincetown, Massachusetts
1987 New Jersey State Council for the Arts Grant
COLLECTIONS
Brooklyn Museum of Art
Los Angeles County Museum of Art
Museum of Contemporary Photography, Chicago
Boston Public Library
Beinecke Library, Yale University
Houston Museum of Fine Arts
Addison Gallery of American Art, Andover, Ma.
Cape Cod Museum of Art
Philadelphia Museum of Art
Fogg Museum of Art, Boston
National Portrait Gallery, Washington DC
DeCordova Museum and Sculpture Park
University of Colorado Museum of Art
Boise Museum of Art
Bergen County Museum of Arts and Sciences, Paramus NJ
Washington Convention Center
Indiana State University
Miller, Anderson, and Sherrard Corporate HQ, Philadelphia
International Finance Corporation
Wellington Management Corporation
Fidelity Corporation
World Bank Corporation
Estee Lauder Corporation
Microsoft Corporation
Time Magazine
Aperture Magazine
The Prudential Corporation
Dow Jones
LaSalle Mortgage Corporation
Buhl Collection
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